1st Edition

Ruptures and Continuities in Soviet/Russian Cinema
Styles, characters and genres before and after the collapse of the USSR





ISBN 9780367876579
Published December 12, 2019 by Routledge
226 Pages

USD $47.95

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Book Description

This book, based on extensive original research, examines how far the collapse of the Soviet Union represented a threshold that initiated change or whether there are continuities which gradually reshaped cinema in the new Russia. The book considers a wide range of films and film-makers and explores their attitudes to genre, character and aesthetic style. The individual chapters demonstrate that, whereas genres shifted and characters developed, stylistic choices remained largely unaffected.



Table of Contents

 



Acknowledgments & Note on Transliteration



Contributor Details



List of Illustrations





Introduction



Re-construction, or perestroika: re-visioning, re-making, re-framing



Birgit Beumers and Eugénie Zvonkine





Part I. Styles



1 Perestroika and Parallel Cinema





2 Soviet Comedies for ‘Our Time’: Cinematic Remaking in 21st-Century Russia 





3 The Journey of a Film: Aleksei Gherman’s Hard to Be a God, 1968–2013





4 ‘Waiting for Change’: Sergei Solov'ev and the Dreams of the Young Generation





Part II. Characters



5 The Prostitute as Everywoman: The Role and Evolution of the Sex Worker in Russian Cinema





6 ‘Thank God We’re Not Alive’: The Rock Star in Soviet and Post-Soviet Cinema.





7 Neither Here, Nor There: The Trickster in the Cinema of Perestroika and the Early 1990s





8 ‘We’ll meet in Tahiti’: The Traveller between East and West in Russian Films of the 1990s





Part III. Genres



9 Reality Excess: Chernukha Cinema in the Late 1980s





10 A Genre in Crisis? Satirical Comedy during Perestroika





11 Articulating Dissonance between Man and the Cosmos: Soviet Scientific Fantasy in the 1980s and its Legacy





12 Revising History, Remaking Heroes: Soviet-Russian Cinema and the Civil War

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Editor(s)

Biography

Birgit Beumers is Professor of Film Studies at Aberystwyth University.



 



Eugénie Zvonkine is an Associate Professor of Cinema at the University of Paris 8.