This collection reconsiders Milton’s engagement with Greek texts, with particular attention to the theological and theatrical meanings attached to Greek in the early modern period. Responding to new scholarship on early modern reactions to Greek authors – especially Euripides and Homer, Milton’s particular favourites – the collection emphasizes the associations of Greek with both Protestantism and the origins of tragedy, two arenas frequently in tension, but crucially linked in Milton’s literary imagination. The contributions explore a range of works spanning the whole of Milton’s career, from the early masque Comus, through the political and religious prose, to the 1671 closet drama, Samson Agonistes. They consider the ways in which the authority and controversy attached to Greek authors framed Milton’s approaches to their texts. Looking at both the texts and their interpretative traditions together, this book suggests that Greek authors shaped Milton’s attitudes to drama in ways even more extensive and surprising than we have yet recognized. This book was originally published as a special issue of The Seventeenth Century.
Table of Contents
1. Milton, drama, and Greek texts: preface 2. Circean transformation and the poetics of Milton’s Masque 3. John Milton and the Beard-Hater: encounters with Julian the Apostate 4. Paul’s Euripides, Greek tragedy and Hebrew antiquity in Paradise Regain’d 5. Milton’s Euripides and the superior rationality of the heathen 6. The politics of Greek tragedy in Samson Agonistes
Tania Demetriou is a Lecturer in English at the University of York, UK
Tanya Pollard is Professor of English at Brooklyn College and the Graduate Center, City University of New York, USA.